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Substance of We Feeling (version II made whilst thinking about the Large Hadron Collider and the Collective Unconscious) 2010
Synthetic Coloured Sand. Approx 6 x 2 m
Substance of We Feeling (version II made whilst thinking about the Large Hadron Collider and the Collective Unconscious) 2010
(Detail)
My Mother was a Comptometrist (2009)
(partially burnt found wooden object, pale green cloth, string, crude replica of an Inca Yupana made by the artist from air drying terracotta clay)
Dimensions Variable
They Saw Things Her Way When They Accepted Rationality Was Speculative (2009)
Stone wheel (carved by the Artist from Portland Stone) plywood, cardboard, wood, book (Oh What a Blow That Phantom Gave Me ! Edmund Carpenter), graph paper, elastic band,
salmon pink cushion foam,4 bricks, 4 large water bottles, water, cleaning detergent, car engine oil, chipboard, emulsion paint, 1m Satellite dish, acrylic paint applied by hand.
They Saw Things Her Way When They Accepted Rationality Was Speculative (2009)
Detail of 'Carved Stone Wheel' from They Saw Things Her Way When They Accepted Rationality Was Speculative (2009)
Detail of 'Bar Graph Steps' from They Saw Things Her Way When They Accepted Rationality Was Speculative (2009)
Cellini Jewellery, after Sol Le Witt (2009)
Gold Necklace cast in concrete approx. 18 x 18 x 18 cm
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Valentina (Tereshkova) (2009)
paint/face print on A4 paper, magazine segment, wood
Caryatid (2009)
Cardboard and paint applied by hand 60 x 20 inches
Anthropology or The Difference between Footprints and Footsteps (2009)
cloth, picture frame, mirrors, glove, opened out box, broken sunglass lens and video projection
detailed view of floor piece
view of video projection showing segment filmed on location at Smithson's Broken Circle, Spral Hill
Medium (2008)
Cardboard, paint applied by hand and brush
Reclining Figure (2009)
8 and 1/4 bricks
Substance of We Feeling (2008)
Synthetic coloured sand. Approx. 3.5 x 4.5 meters
The Remains of Sybil (2008)
MDF plinth, white paint, piece of a Womens magazine, blue nail varnish
mindblowing (2007)
2 Person exhibition with Gordon Schmidt - wooden lightening shaped wall with Cunningham (left images) 16 mm film projection of fire and audio loop of Juan Aktins 'Techno Music'
(right images) Schmidt interview between Andy Warhol and Edward Lucie Smith player through iTunes visualiser the projected
Neo - after Smithson (2006)
105 VHS cassettes, gold spray paint, felt and rock
Man of Letters (2006)
Not Yet Night at The Embassy, Edinburgh
Black light, canvas fluorecent paint, rocks text is taken from a portrait Durer was comissioned to make of Erasmus in 1526.
manual (2005)
pile of rocks, white gloss paint, disco lights on a timer
The Man Who Knew Too Much (2004)
National Centre for the Arts, Mexico City, Mexico
carbon drawing on 12 inch master sleeve - single sided custom made record with loop of song 'Que Sera, Sera' and CCTV camera - monitor and speakers with live feed from camera and player
Irrational Intentions (2003)
glass ball, cardboard maze and gymbole hard wired to DVD player, flat screen monitor - screen plays pre-recorded areial view of maze in use when the viewer starts to play
.MFA exhibition, TRAMWAY, Glasgow